为了省钱,我并没有直接坐飞机去河内,机票不贵,但是加上税就比较贵了.更何况我是先到桂林,所以坐的从南宁得大巴去的河内.

去河内之前听说过关会很慢,那边的官僚效率又低又很贪. 所以我们做的很早一班车去.说实话去河内之前我还没怎么研究透路线,很多行程的重要关节还没有确定.再加上前面阳朔的出师不利,心里还是有点担心的.

还好友谊关过关并没有那么费劲,下午4点多,我们到了河内.打了一辆taxi到老街区Sinh Cafe旅行社。定了南下的大巴票，下龙湾团，和从芽庄回来得机票。然后找了个旅馆住下。河内，跟我想象的样子差不多，脏乱差，但很多老外，摩托横行。出国的感觉还是比较兴奋，匆匆安顿好，晚上到还剑湖旁边逛了逛。按照Lonely Planet上面推荐的找到了一家餐馆，进去看了看，价格已经比LP上推荐的高了3倍，不知道是不是因为之前的通货膨胀的缘故。不过环境不错，在湖边，也有传统的越南民乐表演。头一顿越南菜给我印象不错。之前在北京吃过越南菜，感觉很是难吃。这个上来后，却觉得味道不错。 吃到一半，那个领唱突然走到我桌边问:”Where are you from? 我说中国，本以为她要说什么，结果她一扭头走了。我正莫名其妙间，等会她拿着两束玫瑰来了,献到我们桌上,然后开始唱------渴望主题曲....

准备接下来的下龙湾2日游。

今年本来要去柬埔寨的,因为等陈嘉林错过了打折机票的最佳时间,最后改为走广西-越南一线.

这条线路也经过了不少修改，本来计划重点在广西，越南只是去河内的下龙湾一行。广西玩桂林，德天大瀑布，和北海，涠洲岛一线，后来发现北海的气温还不足以下水，就cancel掉了，而德天瀑布查阅后感觉也更多是虚名，也cancel了。利用省下的时间从河内向南走。最终的行程是北京-桂林-阳朔-南宁-河内-下龙-顺化-会安-芽庄-返回。如果还有时间的话，应该继续向南去胡志明市，但是我没有时间了。而且胡志明市对我并没有太多吸引力，湄公河水上集市肯定不如泰国的，越战地道么，我在很多越战游戏里都体验过了，而且从胡志明飞回河内的机票是从芽庄回来的2倍。所以我也并不感到遗憾。

总体来说，这一趟并不是很顺利，也比较艰苦，以致于中途我头一次在旅游中有了想早点回家的念头。但是到后来，还是觉得很有意思，还是比较独特的经历，虽然并不全都是好的经历。可以用一句话总结，越南，还是值得去一次的，但是去过一次后，你不会再去了。

阳朔

我到了桂林后，并没有多待，直接奔赴阳朔，桂林里也就是游览了从机场大巴下车走到汽车站这一段。无午饭在路边吃的著名的马肉米粉，说实话，一般。不过在我预料之中。到了阳朔给网上有名的老班长旅馆打电话，一个清秀小巧的女孩来接我，看了看房间太贵，又转到旁边一家。到了旅馆安顿好已经是下午，休息了一会，晚上出去拍照。到了滨江路上被一个人拉住要漂流，只载我一个人30，我侃到25，心里还觉得值了。后来才知道其实还是亏了。漂流相当短暂，整个20分钟就结束了。因为出来前以为桂林已经是夏天的温度，所以没穿秋裤，在竹筏上傍晚漂流，那是相当的冷。我上岸后就觉得不太舒服，结果又犯了第二个错误。我晚饭在一家貌似有名的大店----谢三姐啤酒鱼，吃了阳朔第一名菜啤酒鱼，就是这个啤酒鱼，差点毁掉我整个旅行。

服务员很热情，人也很多，虽然环境看起来并不那么有名，再加上旅馆的推荐，我也就点了一个啤酒鱼。但是说实话，比酸菜鱼或者水煮鱼差远了。黄记煌的鲶鱼都比这个好。匆匆吃完，回到旅店我就开始觉得不舒服。更糟的是，这家旅馆的空调一点都不热，桂林的夜里冷的像冰窖一样，不过也可能是因为我发烧。后来量了下发烧37.7。赶紧躺下睡觉，吃药喝热水。到了半夜，我被冻醒，又把白天的衣服都穿上，所有的被子都盖上。然后又吐了好几次。到4点的这个时候人38度4，人已经有点烧脱水了，起来去呕吐的时候，差点晕倒在卫生间。最终我坚持着把能吐的都吐了，然后所有的毯子被子都盖上，再穿着全部衣服，袜子都好几层，又喝了开水，才逐渐感到好过点。再后来感觉像是张无忌中玄冰神掌时，一会如坠入冰窟，一会儿又大汗淋漓。到了早上烧逐渐退去，我也不敢远足，只在阳朔县内晒了晒太阳，换了家旅馆。也不管随便吃东西，给了店家5元钱让他帮我煮白米粥，就着榨菜吃了。到了下午又有点发烧，我不敢怠慢，只好修改我的旅行计划，把漓江漂流改为阳朔人民医院半日游。

医院很远，小地方连路灯都没有。我去的路上路过家甜品店，叫下火堂。我看到里面有类似八宝粥一样的东西，便在那里吃了晚饭。黑米羹，相当好吃，里面还加了姜汁。摸索到了医院，已经是8点，大夫给我开了点滴。我便非常奇特的，做在一个点滴室里，四周都是纯朴的农民兄弟，大爷大婶们，讲着我听不懂的当地话。我的那个护士还是实习的，点滴超慢，我等了1个小时，还只滴了半瓶。问她她说就得这么慢的。后来我着急了，那个房间很冷，我心想再打下去还没治好又给冻烧了。于是就自己调快了速度。即使如此，还是到了12点半才打完。

第三天醒来，感觉精神回来了。于是去漓江漂流。漓江精华游，我在去之前，有着很高的期望，因为这是很多摄影人常去的一条线。我还专门考了一个摄影的攻略去。结果去了以后发现，还是失望大于期望。并不是因为不美，而是因为那几个景我真的要好好发挥自己的想象才能看出来。我只漂了兴坪到浪石一段，最后爬了较著名的老寨山，是一个日本人修的路，爬到山顶实在是艰难，路相当难走，并且比想象的要高。到了山顶，认识了不少也上这拍照的发烧友。都是很大岁数了的不服老的老同志们。跟他们聊天直到日落，拍完晚霞下山回阳朔，差点没赶上最后一班车。

第四天，因为听路上认识的朋友说龙脊这个季节去不好看，再加上不想把时间弄得太紧。决定余下的一天还是在阳朔玩。于是就租了旅店的自行车去了遇龙河。遇龙河我觉得不错，有不少田园风光。漓江也很美，但是大部分景色都雷同。遇龙河沿岸有很多不同的景致。这一天也超累，骑自行车得有30多公里，而且很多都是山道。

结束了阳朔的旅行，就准备去越南了。

Supernova

Imagine what astrophysicists would label a supernova or the eruption and attendant explosion of a star. In a light show reminiscent of the jump to hyperdrive in the original Star Wars, these logos attack the challenge of motion head on. For years we’ve seen marks that have created the impression of motion from a profile perspective using streaks or blurs to signify speed.

These examples drive a field of elements toward or away from the viewer using a variety of methods. The LodgeNet logo (by Jeffy Kuyper) advertises the company’s in-room movie service by flying a picture at you with a smart explosive technique. This blast is simple in construction and void of halftone—particularly interesting considering the product is an online commodity that could easily have justified overboard solutions replete with RGB trickery.

1. Jerry Kuyper for LodgeNet    2. Gabi Toth for Halo Consulting    3. Crave Inc. for IQ Beverage Group    4. Mirko Ilic Corp. for Dr. Zoran Djindjic Fund

Fine Line

Consistency of line weight is one of the tenants of good logo design. It builds rhythm and ensures legibility at first glance. Forget this rule for this category. Turn your line weight down to hairline and start drawing. Most of these logos live on two levels: first glance, and then second glance, with reader glasses. Typically, a heavier image with message one serves as a background field. The more profound message two is generally encrypted over the top of or knocked out of the heavier image.

Fine strokes weights may read as no more than pattern initially, but they can also carry the dichotomy of a counter message. A variation on this is the use of linear art en masse to create enough weight to define a message as in the PULSE logo. This yin yang process tends to captivate the viewer and lends a sense of intelligence to a mark that doesn’t require a hammer to impart a subtle message.

1. Louis Fili for The Mermaid Inn    2. Hula + Hula for Cartoon Network Lainamerica    3. Unit for Artists for Peace    4. Point Blank Collection for Pulse

FoldOver

Imagine being asked to design a logo with a long strip of paper as your only tool. These quasi origami style solutions craft out a sense of dimensionality despite staying relatively flat. The material from which these are created range from (but are not limited to) transparent film, metal, and paper. There seems to be a message of cleverness and economy of stroke in many of these.

Sometimes the simplicity of the folds takes on additional meaning when the substrates demonstrate unique properties. Note how the opposite side of the material changes to a different color at every fold in the TURN logo. Or see how transparency enforces the visual overlap of material. In some ways, this technique creates a bit of a puzzle effect. It engages the viewer as it tempts them into tracing out the path of the mark or trying to determine if the folds could really occur as offered.

1. PMKFA for Yes King    2. Gardner Design for Liberty Capital    3. A3 Design for Urban Architectural Group    4. Addis Creson for Turn

Global Expansion

What a refreshing outlook this trend presents. Time was that any company involved in international commerce gave some passing consideration to a globe as their logo. It’s a solution that has become terribly challenging to address with an original perspective. These logos at least have the honesty to step back and say, “Hey, we may not be fully global yet, but give us time.” All of these marks rely on a centric pattern that diminishes at the edge and then warps out to wrap the sphere in symbolic expansion.

Cato Purnell Partner’s diverse group of solutions for Dubai Airport succinctly communicates a key message. Commerce, travel, and tourism have made Dubai a true crossroad for international travelers, and this world-class logo has found a unique way to express the point. Using the Islamic sacred symbol of an octagram, or eight-pointed star, the logo starts to envelope the global sphere with its spreading tile mosaic. The dissemination of a culture is no accidental message in this mark.

1. Lippincott for XOHM    2. Cato Purnell Partners for Dubai International    3. Futurebrand BC&H for Transpiratininga    4. FIRON for Novatel

Loops

Continuous bands, yes, but not all of these marks have that certain mojo of the Mobius strip. Moving away from the universal sign of infinity, this group of logos seems to celebrate the flow of a closed cycle. No doubt more than a few rubber bands were called into action for their modeling services, but a ribbon-like figure was not mandatory.

There is something personal about the lack of perfect symmetry displayed here. The flexible nature of these logos signifies the ability to transform to meet the needs of the moment. Some appear to be snapshots of motion captured in a millisecond, of an object tense with energy.

The Peugeot 307 loop reflects the profile of that specific car but also seems to hover weightlessly above the ground. The chromed appearance of the mark takes on a surrealistic quality while conveying a certain technical prowess as well.

1. Lippincott for IBM & Freescale    2. Mireello Grafico, Inc. for Qualcomm    3. Angelini Design for Peugeot International    4. Double Brand for Long term car rent

Jawbreakers

Anyone who’s ever torn up his or her mouth grazing on a jawbreaker or Gobstopper can attest to the concentric rainbow displayed on a perfect cross-section of the confection. There is a certain childhood joy associated with the perfect cleaving of these orbs that is akin to discovering hidden treasure. The 70’s op-art quality of these marks is accomplished with little regard for a reserved palette. Generally, brilliant color is a must and often cross-sections are as unique as Technicolor snowflakes.

There is a youthfulness to these logos that addresses a certain vitality in the market. You can’t help but smile at the visual joy they seem to capture. Influences could include Target’s inventive use of its own logo in marketing efforts, although the red and white of their mark seems sedate in comparison to examples shown here.

1. Form for Dazed & Confused/Topshop    2. MacLaren McCann Calgary for Telphonic    3. Volatile for Antidote    4. Volatile for Pod<

Strobe

Animation in the static environment of print is challenging at best, but with some sequential stop-motion images, a solution is at hand. Remember those flip-books that with a riffle played out a short animation? Now, take the images, place them on a single surface, and this is the result. These marks have a slinky-like, fluid nature that lends a graceful aesthetic to their associated companies.

The Nikon logo crafted by Interbrand some years ago may have signaled the introduction of this process with a major brand. Sprint’s adoption of Lippincott’s logo , a representation of the stop-motion animation of pin dropping, opened the gates for deeper exploration and solutions in a similar vein. Nokia Siemens’ new animated logo, created by Moving Brands, successfully plays out the strobe concept when adapted to print.

1. Interbrand for Nikon    2. Moving Brands for Nokia Siemens Networks    3. Lipincott for UMW    4. Lippincott for Sprint

Nimbus

Shield your eyes and pull out the 30 spf sunblock. It’s not a sunburn you’ll fear, but you may need to protect yourself from overly bright ideas. There is a certain glorification associated with all of these marks. The central core of the image is usually a bright tunnel out of which great light emanates. If this sounds a bit like the parting of clouds and the appearance of deities, you may not be far off.

Dissemination of light or energy by the use of rays is far more than an astral aura. This indicates a central subject or capability and the prospect that it holds the key or the solution to whatever the question is. Light also connotes knowledge and guidance. Even distribution of these spokes ensures a fairness of distribution and equality of access. As a moth will attest, there is an attracting radiance to these logos, regardless of color.

1. Gardner Design for Catalyst    2. Glitschka Studios for Proctor & Gamble    3. Circulodiseño, SC fr New Venturees    4. Chris Herron Design for Marimon Inc. & Kelly Swofford Roy

Stitch

Over the last several years, designers have taken refuge with a variety of appropriated patterns. Design backgrounds have become shrines for wallpaper swatches, Victorian patterns, organic flora, faux wood grains and any other rococo-retro surface that is not nailed down or otherwise copyrighted.

Houndstooth and herringbone aside, designers on more boutique projects are dipping into their grandmothers’ baskets of sundries and notions. This is often not as much about textile patterns as it is about the elements that hold a garment together. Zig zag, whip, and cross-stitch are a few of the strokes in the sewing arsenal. Bric-a-brac, fishnet, fringe, and tassels are also working their way into these solutions. This common language of mundane elements takes on a refreshing, often feminine beauty when layered together with great taste. Just remember that the difference between a tablecloth and a haute couture gown is not the material, but knowing what to do with it.

1. The Woodbine Agency for Lamp    2. tenn_do_ten for chico    3. The Pink Pear Design Company for Rummage    4. Hammerpress for Natasha's Mulberry & Mott

Colorblind

Sometimes clusters of a logo technique surface with little if any rationale. For this bracket, it’s as if National Geographic just reported the recent unearthing of a series of Ishihara color plates for color blind testing. The influence is obvious but the timing is unexplained. You have to admire the chutzpah of a client willing to adopt a logo that 7% of the male population and 0.4% of women won’t be able to understand.

Maybe this is exactly the point. These marks represent a quirkiness associated with entities that only a certain percent of the population will be able to really appreciate. Even for individuals without color blindness, these visuals can be a bit challenging to decipher. But that adds to their mystique and helps to build affinity for the logos when the viewer realizes he has passed the test. Either way, there is a joyful, reminiscent charm at work here—either that or this report is entirely wrong and these companies all sell Dippin’ Dots ice cream.

1. Colorblind Chameleon - Self Promotion    2. Range for Dennis Murphy    3. Pearpod for Razoo    4. Cricket Design Works for Creme Cafe

Amoeba

These are soft, inflated blobs without any sharp corners to fall and hurt yourself on. Their friendly shapes are generally unstructured and much like an amoeba under the lens of an electron microscope, fluid and in motion. Amoeba comes from the Greek word amoibe, meaning to change, and this trend is about flux. The elements that compose these logos are anything but static. You can imagine a relationship between the parts of a logo as if they have just divided from one another.

This process of morphing and motion give us a clue about the structure and processes of the businesses represented here. Flexibility and an agile nature allow businesses to adapt in mercurial industries. These are entities that embrace the value of evolution. If you’re evolving, chances are you’re a living organism, and there aren’t too many of those with corners.

1. Tactix Creative for DJ Eddie Amador    2. Double Brand for Poza Showroom    3. Mola for EDP    4. Yaroslav Zheleznyakov for Promotion<

Facets

Ali Baba and the 40 thieves knew what mattered in a cavern laden with jewel-encrusted treasure. In these precious gems, there is an intrinsic value of which legends are crafted. Whose eyes are not stopped by the alluring refractions of a precious bobble? What a perfect substance from which to carve an identity.

To create the greatest value in a material as base as a stone, one has to first recognize potential worth. With exacting efforts, a trained eye can cut away the precise amount that will best maximize value. All of this is done with the looming specter of complete failure if the action is not correct. With great risk comes great reward.

These logos can also address the multifaceted nature of a business. By arranging these facets in their optimal positions you create the greatest clarity and light. Or maybe it’s not that deep and we just like bright and shiny things.

1. Kitsh for Clay Saphire    2. Thomas Manss & Company for VCC Perfect Pictures    3. Gardner Design for Lavish    4. BFive for Solo Company

Doodles

There is a base honesty to an image that has never been shoved in one side of a computer and back out the other. There is still some soul attached to the mark and even a little sweat and blood from the originator. No attempt is being made to deceive the consumer and certainly there was no upper level management committee to quash the innocence of the humbly crafted logo.

Immediacy is an important justifier for these marks as well. The Rebuild logo, developed after Hurricane Katrina sends the message, these people need your help now. There is no time to finesse a corporate solution to the problem here: We need the help and response of everyone, and we need it now.

Personal messages and a sense of humanity are associated with these marks. It is the assurance the middleman has been cut out, and that this message is between me and you and no one else.

1. Steve's Portfolio for www.thehurricaneposterproject.com    2. Stubborn Sideburns for Hipposchemes    3. Fifth Letter for Shawn Lynch    4. Studio Oscar for Levi Strauss

Flourish

Take a piece of relatively unassuming typography, water and fertilize with insane pixie dust, and let it grow. These logos could be relatives of the Flora and Embellish trend identified over the last two years, but they are definitely about type on steroids. Imagine type with hair that has been coiffed for fashion week in a Fellini movie.

Credit the stunning work of Si Scott and the unbridled design of Marian Bantjes as primary influences on this work. Scott specifically has developed a signature look that is being emulated a bit too close for comfort, in some instances.

Decorative flourishes gone wild identify these entities: They give more than you anticipate and are conscious of the frills and excesses necessary to carry you to satisfaction. These designs are exoticand unexpected but with enough whimsy to avoid being overtly feminine.

1. Lucero Design for Project 240 Apparel    2. United* for Bar Carrera NY    3. Team Manila Graphic Design Studio for Neu Media    4. Distrubancy Graphic Treatment for Eclipse Streetwear

Fibrous

Twisting threads travel in tandem or are spun together to form a twine with even greater strength. Or you see the tendrils of a vine traveling outward from a single source. Maybe it’s the ebb and flow of a rhythmic group of fine fibers acting in concert to create the illusion of a solid mass. These are just of few of the descriptions that help define this category.

A collective acting in unison to maximize action and create strength in numbers is at the heart of these logos. These are not lines in perfect step with one and other. Unlike the grooves of a record, these elements show a degree of independence and celebrate the diversity of the components as they unite.

Uniting elements for a common good has become a prevalent theme of late. This trend transcends the corporate world and is seen in social efforts as well. Respect of individuality and honor of uniqueness are admirable pursuits.

1. Guillermo Brea & Associates for Argentina    2. Najlon for Town RIJEKA    3. Mattson Creative for The Collective    4. AtomicasStudio for 2 excite

今天开始整法国的照片，这是我欧洲之行的第一站。其实德国才是我的第一站，但是因为在德国主要是工作，虽然也很有趣，但是我之前辛辛苦苦写了一篇，最后电脑重启就找不到了，气得我暂时没心情重写一遍。那么，还是从我踏上熊猫旅行社的大巴车开始。
我在科隆上的车，在这之前从wupperta出发坐火车的时候还坐错了车。还好我提前预留了4个小时，得以再坐回来，否则赶不上大巴就惨了。德国的列车不同线的列车在站台的时候很多都公用一条线。所以我上错了车，其实我应该上下一趟，也就是2分钟后的那趟。上车算好40分钟应该到，结果过了1个多小时还不到，找了个中国血统的乘客来问，可惜她不会中文，英语也所知甚少，不过最终还是弄明白了怎么回去。回去的时候还很担心要补票，还好德国的查票员很好说话，说清情况后他很友善的让我直接坐回去，不用补票。
到了科隆，上了大巴，碰见了同伴们，所幸这一个团人没坐满，我就一个人躺在最后一排睡觉。潘导是安徽人，到德国15年了。之前也是做导游，给我们讲了很多以前中国如何严格审查出国人员的故事。我很怀疑他是在那时候叛逃的。后来潘导也跟我一同去了东欧，有关他还有不少故事。
我们第一站是到德国的特里尔，冯媛上学的小城，说实话这地方很小，我们只有半小时吃饭，然后就像赶集一样。我头一天还没太在意时间观念，到了集合地点晚了2分钟，发现只有四个人在那里跟我一样不知道组织去哪了。后来打电话才知道，他们已经去马克思故居了。我们没办法，只好咬着三明治小跑过去，到了那边一看。。。。。
简直大失所望！就一破房子，团友们争着跟马克思的铜像合影。我心说早知道我不跑过来了。因为胶卷都丢到了机场，所以只能在当地买，超级贵，一盒superia 100要3.49欧，相当于50多块，在国内才卖20不到。完了去大黑门，然后就到下一站，德意志之角。

德意志之角是德国的父亲河-莱茵河和母亲河-摩泽尔河的交汇处。我们到达这里的时候已经是傍晚。在欧洲因为是高纬度冬天，阳光照射的角度都很大，这对拍照的用光既是好事又是坏事。要是角度合适可以拍出很漂亮的照片，但是大部分情况，我都要为逆光太亮或者顺光太平而发愁。这里我碰到了我此次行程的第一个街头艺人。因为是近晚饭时间，除了我们这个团外，几乎没有其他游客，他自己自弹自唱了好一阵后，我投了50cent在他面前，冲他笑笑，拍下了他。

到达巴黎已经是深夜。如我所料，这旅行社为了省钱把我们扔到了巴黎机场酒店区。离市区还有1小时车程。不过后来我才知道，这算近的。

第一天去了著名奢华的凡尔赛宫。说实话要是我之前坚定的无产阶级专政思想，我是不会对这类地方产生兴趣的。小时候认为这些都是些腐朽的统治者龌龊的生活写照。现在其实依然这么认为，只是会叹息过这糜烂生活的为啥不是我。整个凡尔赛宫非常大，感觉像逛故宫的感觉：众多的房间，华丽的细节，每件器物都有自己的历史，但是我饶有兴趣的逛完了几乎全部房间，要不是我的G1镜头盖在半路丢了回去找耽误了时间，我会有时间走到后花园的尽头。看完了以后觉得，奢华，宏大，价值连城，基本上要想仔细的研究的话，待一个月吧。其中的拿破伦厅虽然并不是这座建筑建造初始的产物，但是却是里面最为华丽的场所。整个房间都用厚重的大红地毯和墙围包裹，上配以似皇冠般闪闪的大吊灯，上面的发光珠体有上千之多，你可以想象一些珠宝展柜就是这么个风格装修的。家具自然都是精妙花纹的古典风格，由古铜色的木质和皮作成。还有一个镜厅也让人印象深刻。长长的走廊两侧都是镜子，这在现在的event 中时有见到，但是在当时镜子是很贵重的物品。同样也是华丽的大灯到处都是，这个房间让我喜欢的另一个原因是，它是一个明亮的长厅，可以看到花园的景色。这和很多欧洲王宫中更常见的黑洞洞，阴森森的寝宫不同。我一直怀疑欧洲人喜欢sm就是因为他们从老子辈就喜欢黑暗的环境，以便他们进行一些见不得人的勾当，尤其是这帮子贵族。

出了凡尔赛，我们去了著名的香榭丽舍大街，真的很著名阿。去的时候街边已经有很多漂亮的装饰灯。我很开心的把整个大街用双腿走遍。走遍了以后发现也没啥，比上海的淮海路，北京的东方新天地，是不一样，但没不一样到让我惊叹的地步。我装模作样的把LV店逛了圈，去了swatch和HUGO BOSS，当然是只看不买。最后去了金色M标志的麦当劳吃了一顿。哈哈，金色的M哦。当然做的可能还不如东直门麦当劳好吃。

对了，这边上厕所居然到处都要收费！真是...

逛完了就很晚了，回旅馆睡觉！我也该睡觉了。明天补完内容和照片。

传了照片才发觉。我的回忆录记错了。：（

这一天应该是去了凡尔赛宫，然后经过香榭丽舍去了埃菲尔铁塔，然后直接晚上去赛纳河夜游。其中16日还经过了卢森堡一个国家，那个国家著名的大峡谷因为傍晚的阳光极其刺眼，而那个观看的角度又是固定的，正好逆光。所以只能拍成下面这样了。